$80.00
Traditional thought fused with modern science when Hiroshima’s nuclear annihilation on August 6, 1945, proved the interdependence of space and time… ISBN: 978-1-957183-35-0 Binding: Two softbound books with flaps, inserted into a slipcase Pages: Volume 1: 408pp Volume 2: 376pp Publication Date: Spring 2024 Size: 10” x 10” Square World Rights: Available LOOK INSIDE
“Twin volumes of text and image map the creative pathways taken by architects in post-atomic Japan. The text volume delves into key buildings, events, and ideas; the image volume lays out a parallel visual narrative of nearly 800 photographs selected from historic sources and site visits.”
November 2022
8.5" x 11" portrait
Traditional thought fused with modern science when Hiroshima’s nuclear annihilation on August 6, 1945, proved the interdependence of space and time. Since the war, Japanese architects have probed the relativity of spacetime through critical debates, pivotal theories, and consequential buildings. The Hypospace of Japanese Architecture pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects outside time—continues to inform Japanese architecture and suggests how we can rethink the history, theory, and practice of architecture more generally.
Christopher Mead is a Regents’ Professor Emeritus at the University of New Mexico and a Fellow of the Society of Architectural Historians. The author of multiple books on modern architecture and urbanism, he began his study of the hypospace of Japanese architecture in 2006.
ISBN: 978-1-957183-35-0 Binding: Two softbound books with flaps, inserted into a slipcase Pages: Volume 1: 408pp Volume 2: 376pp Publication Date: Spring 2024 Size: 10” x 10” Square World Rights: Available
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