$60.00
The building of a city is an ongoing, additive act of creativity. Urban centers are continually made and remade. They are palimpsests of the values, technologies, ingenuity, and aesthetics of a time that precedes ours and was vital in creating our present. To evolve, it is incumbent upon designers to find ways to preserve this past while shaping a rich and resilient ecosystem for the future…
“First monograph on the work of DXA”
Building a city is an ongoing, additive act of creativity. Urban centers are continually being made and remade; they are palimpsests of the values, technologies, ingenuity, and aesthetics of times that precede ours and that were vital in shaping our present. The evolution of the city depends upon designers’ ability to find ways to preserve this past, while shaping a rich and resilient ecosystem for the future.
Whether designing carefully considered ground-up buildings or adapting older buildings for new life, building on history is a fundamental base for contemporary practice. This monograph explores the profound relationship between the past and future of architecture that defines DXA Studio’s practice. The book presents 14 projects that embrace history as a critical influence; they use New York City as a laboratory to implement this approach that acknowledges context and constraint as constructive, rather than restrictive. Integral to its time and place, such architecture offers a distinctive identity, clarity, and timelessness to the urban fabric.
The through line connecting the projects is DXA’s interest in the transformative power of architecture. When well-conceived and expertly crafted, buildings can be more than the sum of their materials. They activate the city in a meaningful way and can change entire neighborhoods, serving as a catalyst for growth and vitality.
Dispersed throughout the book are text pieces that contextualize the work and bring in the voices of leading thinkers on a variety of topics that support the typologies on display. These include three essays by authors who are experts in their fields, including Russell Shorto (author of The Island at the Center of the World) on The Shape of New York, Judith Zilczer (Curator Emeritus Hirshhorn Museum and Sculpture Garden and Art Historian) on De Kooning’s Space about the firm’s project at De Kooning’s former studio at 831 Broadway, and Patrick Cullina (landscape architect and horticulturalist) on Integrating Dynamic Landscape Design into Collaborative Praxis. There are also four ‘conversations’ between the DXA partners and prominent thinkers and professionals, including Robert Tierney (former chairman of the New York City Landmarks Preservation Commission), Cas Stachelberg (Preservationist and Partner, Higgins & Quasebarth), Gregory Rogove (musician), and Gregory Wessner (Civic Leader and Executive Director of the National Academy of Design).
DXA Studio is a New York City-based architecture firm whose work masterfully and consistently strikes a balance between seemingly opposing forces. DXA Studio’s projects combine the art with the science of architecture, design innovation with technical excellence, contemporary considerations with a sense of craft, and a modern outlook with a respect for history and context. Jordan Rogove is an architect who approaches his work with a belief in the power of architecture to positively influence the lives of all who engage with it. He co-founded DXA Studio with Wayne Norbeck in 2011.
Wayne Norbeck co-founded DXA Studio with Jordan Rogove in 2011. His work is linked by an approach that prioritizes architecture’s ability to resolve the site’s complexities with distinctive design solutions, to provide meaningful engagement with public spaces and landscapes, and to contribute a framework for socially responsible initiatives.
Book trailer for DXA 10 Years of Building History
ArchDaily Feature of DXA NYC Publication
Truth and Lies, and DXA NYC are among World Architect’s 15 summer reads
Extent: 300pp text + ends + case
Text: 4c x 4c on 157gsm matte art paper + spot gloss varnish throughout
Ends: 4c x 4c on 140gsm wood free paper
Case: 1c foil stamping on front and spine + 1c screen printing on front and back on JHT cloth over 3.5mm boards
Special Features: 1c silk screening/gilding on all edges of book, section sewn, separate ends, square backed, H&T bands, paper grain to run parallel to the spine
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